Person in a red beanie standing in a misty, otherworldly forest with a large planet visible in the sky.

Areas of Expertise (from someone whose brain hasn’t shut off since 5030 BCE)

  • Data Visualization

  • Creative/Art Directing

  • Creative Storytelling

  • Conceptual Designer

  • Illustrator

  • Graphic Designer

  • Innovator

  • (Current location: Earth. But my brain is operating in at least three parallel timelines.)

If Crickets Were a Person, I’d Be Them

Quiet in a loud way. You don’t notice them until everything else goes still.

That’s how my mind works. It’s rarely quiet, but always observant. Under the surface, it’s movement. Input. Collision. A stack of ideas forming faster than I can catch them. Sleep doesn’t come easy — I don’t drift off so much as shut down. And when I wake up, it’s like stepping into a trading floor of thoughts. Loud. Sharp. Constant.

That’s anxiety, it keeps trying me.

Over time, I learned to listen to that static — and build with it.

At Nike, I spent nearly a decade designing visual systems that helped people make sense of data. I led sessions with hundreds of analysts on how to translate raw information into stories that moved teams to act. Later, in Nike’s Digital Innovation team, I created visual tools that helped shape product decisions — turning future trends into present-tense clarity.

At Lululemon, I brought that experience into footwear innovation. I introduced design-led visualization into concept workflows and collaborated with teams to help shape early ideas into real, tangible directions. The goal wasn’t just to make things look good — it was to make ideas move.

My creativity has never been one-dimensional. It’s part inventor, part systems thinker, part storyteller. I move between disciplines because I think between disciplines — and because often, the best ideas live in the overlap.

And then came AI.

For years, I struggled to explain what I saw in my head. Words were too slow. Sketches, too limited. But with generative tools, I finally had a medium that moved as fast as I think. I could turn mental noise into visual signal — rapidly, clearly, and with full expression.

This isn’t just about aesthetics. It’s about systems. Emotion. Architecture.
It’s about building what doesn’t exist yet — not just with skill, but with urgency.

For the first time in a long time, I feel like my ideas live outside of me.
Not trapped in thought. Not buried under complexity.
Out in the open. In motion. In form. In color.

Exactly where they belong.

Email
gladysestolas@gmail.com